How it works.
Upload, choose your outputs, publish. Underneath those three steps is everything below, and none of it needs you until the very end.
The process, step by step
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Listens to the whole thing
Tope transcribes it and works out the structure: where the conversation really starts, where it wanders, and which bits are worth keeping.
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Proposes the cut
Dead air, false starts and tangents that go nowhere come out. Anything you recorded out of order gets moved to where it belongs.
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Builds the episode
Assembled frame by frame, colour corrected inside safe limits, and levelled so it sounds right wherever it ends up playing.
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Finds the moments worth clipping
It picks them, then reframes each one so the picture follows whoever is speaking, in every shape you asked for.
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Writes everything else
Captions, chapters, tags, descriptions, show notes, articles and a post for each channel, each one written in that channel’s voice.
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Hands it over
The whole package arrives on one screen. Change whatever you want to change, approve it, and send it wherever you need it to go.
Someone on their phone at the left of frame, looking over what came back. Leave the right two thirds calm and uncluttered, because the text sits there.
16:9 or wider · export 2800 × 1400 · subject on the left
Tope makes the call. You get the final say.
Every cut is a decision, and Tope makes the ones it thinks are right. What stays, what goes, which forty seconds make the best clip. Most weeks you will agree with it and approve the lot in a couple of minutes.
When you don’t agree, change it. Put a section back, swap a clip for a different moment, rewrite a line of a post. Tope rebuilds everything that depended on your change, and nothing leaves until it looks the way you want it to.